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Berkeley Electronic Press Selected Works.
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- Max for Live Essentials is a collection of audio and MIDI effects, synthesizers and control devices made with Max for Live – for use with Live 9. Included in Live 10 Suite. Contents 35 Max Devices, 9 Live Clips, 631 Presets, 12 Live Sets Size Installation size: 635.38 MB.
Created by Surreal Machines (the same team behind the excellent Dub Machines Pack), Transient Machines is a new dynamic processor Pack for Live that gives users the ability to deeply reshape the transient signals in their productions using simple controls and an intuitive interface. With Transient Machines, you have the ability to easily punch up the attack on your snares and claps, shorten the decay on boomy kick drums and toms, or just creatively sculpt the transient properties of all types of audio.
Think of Transient Machines as a type of contrast dial for your sounds — you can quickly add more punch, make a sound more distant, take away reverb or rattle, or use the device to achieve a more natural gating effect. Primarily intended for use with drums and percussive loops, Transient Machines can also lead to interesting results when applied to synth lines, vocals, grouped channels or even entire mixes.
Compatible with Push right out of the box, the Transient Machines Pack is split up into two separate tools: Impact, a multi-band drum processing channel strip, and Crack, a more compact transient shaper.
Impact
Impact is designed to help with the more nitty-gritty, detail-oriented aims of transient shaping. The multi-channel processor is switchable between one, two or three bands of transient modification — this means that different frequency bands can be adjusted independently, so that if you wanted to emphasize the attack of some airy hi-hats while, in the same sample, dulling the attack of a low-rumbling kick drum, you could do simply by adjusting the Attack and Sustain controls for each frequency band.
As part of its dynamic processing chain, Impact also includes four switchable styles of analog-modelled saturation, along with a final processing section that includes a clipper, limiter and a maximizer designed specifically to work with transient materials. This ensures that you are not only able to shape your transients exactly how you want, but you can also add some additional character to your sounds in the process.
Crack
Crack is the workhorse of the Transient Machines pack. The compact transient shaper is ideal for more utility purposes, such as adjusting the properties of a single drum sound or quickly adjusting a loop. In addition, Crack also features Dry/Wet signal controls, enabling you to make interesting blends using both the processed audio and the original signal.
Like Impact, Crack features a custom limiter for peak reduction, soft analog-modeled clipping, and a maximizer specially tuned for use with transient materials.
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Max for Live, potentially offers endless new MIDI and Audio Effects, Instruments and Video Devices .
Since Ableton Live 9. Max for Live is bundled with the Suite version of Live.
If you are not already using Max for Live you should first check out the Max for Live Essentials Pack which includes very useful tools for your production including a the brand new Convolution Reverb.
Max is a visual programming language designed for media artists. You can start building your own devices and edit other’s
Shortly after Max for Live was introduces maxforlive.com started. There you can find hundreds of free and paid M4L devices and library is growing everyday!
I always love finding new Max for Live devices and I’ll start posting the ones that stand out which I find myself using more regularly.
Palmas
I’ve been using Palmas for a while now. It makes a very realistic clap sounds. It’s really simple and just works. It allows you do decide how many people are clapping and even automate it.
So you can go from one person clapping to a big group of 32 people clapping.
You can even change how accurately timed the claps are. You can change the pitch and even the sound across the stereo field.
If you’re looking for more live sounding organic claps, Look no further.
Download Palmas (Free)
Palmas is part of a pack of devices created by Beyond-Digital. The included instruments are more focused on ethnic scales called Maqams. All the devices share a very unique and beautiful design.
J74 Harmotools
I’ve always envied Logic‘s built-in chord detector you can find in the global transport bar. Finally you can have one just like that with Max for Live.
J74 Harmotools are a collection of Max MIDI effects to help you with your compositions. Inside the pack you can find the HarmoChord J74. Simply load it into a MIDI track and start playing, it will tell you which chord you playing or which chord is being played from the MIDI clip.
Download J74 Harmotools (Free)
Stereo Imager
You can achieve stereo widening effect in various ways in Ableton Live (Utility, Frequency Shifter, Filter Delay etc.) but this Stereo Imager from Calvin Lanz just works straight out of the box. Drop it on any track and you’ll instantly hear the sounds completely spread across the stereo field. Really great on Pads, Noise, Textures, Arpeggios and Backing Vocals.
Download Stereo Imager (Free)
Track Stereo Pan Enabler
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Ableton’s lack of a true stereo panning is hardly talked about. In Live the Pan knobs only function as a Stereo Balance. Meaning that they only turn down one side as much as you turn the Pan knob.
To get true stereo panning you can use Faint Response – Track Stereo Pan Enabler a free Max Audio Effect from Marc Sprecher.
Place the device on any Audio track and instantly it will take over that Track’s panning. Now using the regular Pan knob you used all along you can achieve true stereo panning that will more naturally change the perceived sonic angel of the sound and not just turn down the left or the right channel. Valuable on the stereo sounds of your tune. It might even solve you some mixing problems.
Download Track Stereo Pan Enabler (Free)
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For more details on the panning limitation in Live check out the very informative video from Urple Eeple.
One
Might be the most simple yet useful Max for Live device out there. Created by Certified Trainer Yehezkel Raz out of Israel.
This Device has only one knob. You map this knob to one of the knobs/faders on your MIDI controller. Then every parameter in Live that you click with your mouse will be controller by that one knob/fader on your MIDI controller! So you can basically use one knob to control any parameter in Ableton Live!
You can get a lot more free and useful Max for Live devices like this on Yehezkel’s blog 4live.me
Max Devices Installation
Drag the downloaded file to:
Max Instruments: User Library -> Presets -> Instruments -> Max Instruments
Max MIDI Effects: User Library -> Presets -> MIDI Effects -> Max MIDI Effects
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Max Audio Effects: User Library -> Presets -> Audio Effects -> Max Audio Effects
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Do you know of any must have Max for Live devices? Let me know, Would love to check them out.